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FEATURE: The Opera & Ballet Theatre of Kosovo

Izzy KingtonBy Izzy Kington13th February 20263 Mins Read
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Wide-angle exterior view of The Opera & Ballet Theatre of Kosovo showing the building's curved entrance structure beneath a sweeping white geometric roof, surrounded by trees and visitors on a reflective paved plaza.
The undulating form of the Opera & Ballet Theatre of Kosovo naturally indicates entrances. Image: bloomimages

BIG and ALB’s design for the new Opera & Ballet Theatre of Kosovo features a form inspired by traditional Xhubleta skirts.

T he Opera & Ballet Theatre of Kosovo, to be built in Kosovo’s capital, Prishtina, was commissioned by Kosovo’s Ministry of Culture, Youth, and Sport (MKRS) to serve as the future home of at least four cultural institutions – including the Kosovo Philharmonic, Ballet and Opera.

As Kosovo’s first opera house, the venue will be symbolic of both the country’s rich cultural heritage, and a new era. “We are deeply honoured to be entrusted with the design of the new home for the performing arts in a country that has gifted the world with an outsized cultural impact in the performing arts,” says Bjarke Ingels, founder and creative director, BIG – Bjarke Ingels Group.

Interior foyer of The Opera & Ballet Theatre of Kosovo showing a dramatic radiating ceiling, spiral white balconies with visitors, and a bright spacious ground floor with large glazed walls.
The central public lobby. Image: IMIGO

The building has been designed by BIG’s London studio in collaboration with ALB-Architect, with other project partners including Charcoalblue, bloomimages, bucharest.studio and IMIGO.

The 42,395m² (456,402.5ft²) multipurpose venue will house a 1,200-capacity Concert Hall, a 1,000-capacity Theatre Hall, a 300-seat Recital Hall, an adaptable Theatre Room, and an Education and Conference Centre.

Interior performance view of The Opera & Ballet Theatre of Kosovo showing concentric curved timber balconies rising above a stage where a duo of ballet dancers performs, encircled by a group of ballet dancers in swan pose on the stage floor.
The Theatre Hall. Image: bucharest.studio

The performance venues will be draped in an exterior skin made from photovoltaic tiles, creating a form evocative of a performer’s costume in motion, and the Xhubleta, a bell-shaped folk skirt traditional in Kosovo.

The undulating exterior form indicates entrances and key spaces. All four auditoria will be served by a central public lobby. This lobby is designed to offer a warm welcome, being accessible from all sides, and featuring a central skylight to allow lots of natural light.

Interior view of the Opera & Ballet Theatre of Kosovo's main auditorium showing curved timber-clad balconies and walls surrounding a central orchestra stage, with a full audience in attendance and musicians performing.
The Concert Hall. Image: bucharest.studio

The performance hall interiors have a consistent design language, incorporating predominantly matte timber, deep velvet upholstery and acoustic curtains particular to each venue. The Theatre Hall will have three tiers, a full-height rigging system and concealed technical bridges.

The public plaza outdoors is also being designed to integrate the venue elegantly with its neighbours, the Palace of Youth & Sports, the Fadil Vokrri Stadium and the Public Services Ministry. The theatre will have pedestrian access at street level and above it via the Palace of Youth & Sports’ podium, which is being extended to merge with the theatre’s grand outdoor staircase. The building is framed by a hardscape of natural stone along with landscaped ‘islands’, and winding paths.

Exterior view of The Opera & Ballet Theatre of Kosovo showing a dramatic curved entrance canopy with horizontal slats, glass curtain walls, and wide stone steps leading to the foyer, with people gathering on the plaza under an overcast sky.
The shape of the roof is like a Xhubleta skirt in motion. Image: bloomimages

 

This Auditoria Loves feature was written by Izzy Kington, and first published in November 2025 in the 2026 Annual Showcase issue of Auditoria.

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Izzy Kington

Izzy became editor of Auditoria magazine in 2018, having previously served as assistant editor on the title earlier in her career. She is also the editor of Business Jet Interiors International and Railway Interiors International. Over the course of a decade as a business-to-business magazine editor, Izzy has covered everything from airline catering to car safety technologies, autonomous vehicles and business aviation airports. Outside of work, Izzy loves watercolour painting, live music and travel.

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