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Audio & Communications

DiGiCo Quantum 225 installed at Komedia Brighton

Izzy KingtonBy Izzy Kington29th March 20244 Mins Read
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DiGiCo Quantum 225 mixing desk at Komedia Brighton
The DiGiCo Quantum 225 at Komedia Brighton

The Komedia Brighton (in Brighton, UK) offers a diverse programme of arts and comedy performances. When the time came to retire its long-standing front-of-house mixing desk, the team chose the DiGiCo Quantum 225, purchased through James Pergrande at Solotech.

“Our previous console was pretty tired, and it was getting to the point where we were having to spend time explaining the features to visiting engineers, which isn’t ideal,” said Emma Henderson, technical manager of the Komedia Brighton. “Having a robust, industry-standard mixing desk was important. It needed to do a lot; not just sound great, but fit into our budget and have easily accessible features that would be recognisable to as many people as possible. Training is also important to us; we have a huge training programme. When we send the trainees out into the world, they’re inevitably coming across the DiGiCo family of desks, so if they have that grounding, it’s a massive bonus.”

Completely self-funded, the venue team also raises money for local charities, as well as working with Komedia Productions, and by delivering projects new audiences have been developed, particularly for children and their families. Community is at the heart of the Komedia team’s ethos, and so community values were another aspect in the choice of DiGiCo.

“The help from DiGiCo has been awesome, they’re well known for their support and that’s another reason that we chose the Quantum 225,” said Henderson. “DiGiCo’s Tim Shaxson came to train us all when the desk was brand new and I said, ‘Let’s put the desk in! Let’s do a show in three hours. Let’s do it because we’ve got out of the box!’ I think he thought I was pretty out there, in a good way I hope, but he stuck with us.”

With the diverse programming and people coming through the building on a nightly basis, Komedia needed a mixing desk that would be universally recognisable, but also endlessly flexible. The DiGiCo Quantum 225 Set Spill feature is designed for these situations. DiGiCo says Set Spill allows the engineer to group faders together for easy recall at any point. It meant the desk could be up and running swiftly, changing from a stand-up comedian to a club night with the touch of a button.

Henderson really appreciates this feature. “We do such a massive range of shows with incredibly tight turnarounds between each one,” she said. “We’re a ‘disco’ loadout kind of venue, so we needed something you can switch around easily. With the Quantum 225, you can swap the layouts around and you can boot sessions really easily. That means you can jump from a gig into a club really fast, and then you take it from being set up to do a gig to being set up to do comedy, which was a massive boon.”

Another important factor for Komedia is space. It makes the most of its 415-standing-capacity venue, so the compact dimensions of the Q225 are a bonus. The venue is seeing acts tour with fewer touring desks, but the odd one still comes through. Usually the touring desks are DiGiCo, too, so being able to plug into the venue’s MQ-Rack removes the need to strike the venue’s control position.

As the venue prepares for its 30th birthday, Henderson and her team know that technical upgrades are just one part of the longevity of the venue and its position in the community. “We are an independently funded space, and we average 12 shows a week,” she said. “We do a lot, even for a very good team, and we make our own profit. For an art space that’s amazing. It’s very much the team that are implementing the upgrades; we pretty much do all of it ourselves. In the past year, we’ve done a lot of work to make this venue a really good space for people to come to. Installing the Quantum 225 is a big part of that process.”

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Izzy Kington

Izzy became editor of Auditoria magazine in 2018, having previously served as assistant editor on the title earlier in her career. She is also the editor of Business Jet Interiors International and Railway Interiors International. Over the course of a decade as a business-to-business magazine editor, Izzy has covered everything from airline catering to car safety technologies, autonomous vehicles and business aviation airports. Outside of work, Izzy loves watercolour painting, live music and travel.

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