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Audio & Communications

Longplayer listening post upgraded with EM Acoustics speakers

Izzy KingtonBy Izzy Kington30th May 20252 Mins Read
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Large circular performance space with singing bowls arranged in spiral pattern, audience seated around perimeter watching performers
Longplayer Live. Photo: Kristian Buss

At midnight on 31 December 1999, Longplayer – a 1,000-year-long piece of music composed by Jem Finer – began playing. This year, EM Acoustics – a British manufacturer of professional loudspeakers – sponsored the project. The company donated loudspeakers for a sound system upgrade in the public listening area at Longplayer’s flagship Trinity Buoy Wharf Lighthouse listening post, where the piece has been playing for the past 25 years. There are various other listening posts around the world.

Multiple performers in black clothing playing singing bowls at wooden tables in performance space with tiered seating
Longplayer Live. Photo: Kristian Buss

“Many within the music industry remember Longplayer as part of the millennium celebrations back in 2000,” said Greg Clarke, brand manager at EM Acoustics. “25 years later, we are thrilled at the opportunity to sponsor this project, which is truly an expression of human and artistic legacy across space and time.”

“Working with EM Acoustics on this new spatial listening post for Longplayer at the Lighthouse has been a real pleasure,” said James Bulley, Longplayer trustee. “The EMS-51s provide the perfect balance of clarity, discreteness and high-quality manufacture. From all at the Longplayer Trust, we are extremely grateful to EM Acoustics for collaborating with us on this project.”

Space filled with hundreds of singing bowls arranged on metal stands under exposed beam ceiling
Singing bowls used as part of the Longplayer Live orchestral instrument are displayed at the Trinity Buoy Wharf Lighthouse. Image: James Whitaker

The Longplayer Trinity Buoy Wharf listening post is open to visitors on weekends. 10 EMS-51 series loudspeakers from EM Acoustics are installed throughout the public listening area to reproduce, with perfect clarity, the ancient sounds of Longplayer’s singing bowls. EM Acoustics said the compact nature of the EMS-51s, coupled with their passive design, provides “discreet yet exceptional audio” to capture the intricacies of the 1,000-year-long composition.

“As always, we’re delighted to be involved with initiatives that leave a meaningful legacy,” said Clarke. “We thank Longplayer for their work and the Trinity Buoy Wharf Trust for their support in helping to organise the upgrade.”

Two men in dark clothing performing with singing bowls on wooden table in dimly lit performance space
Longplayer Live. Photo: Kristian Buss
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Izzy Kington

Izzy became editor of Auditoria magazine in 2018, having previously served as assistant editor on the title earlier in her career. She is also the editor of Business Jet Interiors International and Railway Interiors International. Over the course of a decade as a business-to-business magazine editor, Izzy has covered everything from airline catering to car safety technologies, autonomous vehicles and business aviation airports. Outside of work, Izzy loves watercolour painting, live music and travel.

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