Auditoria Magazine
  • News
      • Acoustics
      • Audio & Communications
      • Design
      • Digital & Smart Technologies
      • Displays
      • Events & Awards
      • Lighting
      • New Venues
      • Operations
      • People
      • Refurbishment
      • Retail
      • Safety & Security
      • Seating
      • Software
      • Stage Technology
  • Features
  • Online Magazines
    • 2024 Annual Showcase
    • 2023 Annual Showcase
    • 2022 Annual Showcase
    • 2020 VOL 2
    • 2020 VOL 1
    • 2019
    • 2018-19
    • Subscribe Free!
  • Videos
  • Events
  • Supplier Spotlight
LinkedIn YouTube X (Twitter)
Subscribe to Magazine Subscribe to Email Newsletter Media Pack
Auditoria Magazine
  • News
      • Acoustics
      • Audio & Communications
      • Design
      • Digital & Smart Technologies
      • Displays
      • Events & Awards
      • Lighting
      • New Venues
      • Operations
      • People
      • Refurbishment
      • Retail
      • Safety & Security
      • Seating
      • Software
      • Stage Technology
  • Features
  • Online Magazines
    1. 2024 Annual Showcase
    2. 2023 Annual Showcase
    3. 2022 Annual Showcase
    4. 2020 VOL 2
    5. 2020 VOL 1
    6. 2019
    7. Subscribe Free!
    Featured
    In This Issue header image
    29th November 2024

    In This Issue – 2025 Annual Showcase

    Online Magazines By Izzy Kington
    Recent
    In This Issue header image

    In This Issue – 2025 Annual Showcase

    29th November 2024
    In This Issue header image

    In This Issue – 2024 Annual Showcase

    23rd November 2023

    In This Issue – 2023 Annual Showcase

    2nd December 2022
  • Videos
  • Events
  • Supplier Spotlight
Auditoria Magazine
Design

Winning design revealed for Toronto’s St Lawrence Centre for the Arts

Lauren DysonBy Lauren Dyson16th March 20233 Mins Read
Share LinkedIn Twitter Facebook Email
The exterior of the reimagined St. Lawrence Centre for the Arts. Image: Hariri Pontarini Architects; LMN Architects; Tawaw Architecture Collective; Smoke Architecture; SLA

A team led by Hariri Pontarini Architects (HPA) has won an international design competition to reimagine the St Lawrence Centre for the Arts in Toronto. The winning design, called Transparence, creates a bold connection with its historic neighbourhood and establishes a new cultural hub in the heart of the city.

The team – comprised of HPA, LMN Architects, Tawaw Architecture Collective, Smoke Architecture and SLA – was selected by a jury of design and cultural sector professionals on behalf of CreateTO and TO Live. TO Live is an agency of the City of Toronto that operates and programmes the two-theatre venue. The proposal was selected from five shortlisted design teams.

“We sought a design that is radically accessible and radically open, so that it brings the city in and also pushes out to the city in a way that makes it highly visible, disarming and welcoming,” said Siamak Hariri, founding partner of Hariri Pontarini Architects. “It is an emphatic embrace of openness between spaces of performance and the city.”

The backdrop of the Acoustic Hall is the Toronto skyline, featuring the CN Tower. Image: Hariri Pontarini Architects; LMN Architects; Tawaw Architecture Collective; Smoke Architecture; SLA

The reconfigured St Lawrence Centre preserves features of its Brutalist form and material while dramatically altering orientation of the two theatres, currently side-by-side on the ground floor with limited public space.

The central axis of the main theatre is rotated 90° to address a new public plaza on Scott Street, which can function as an extension of the theatre as well as provide additional public programmes.

“By opening up the building and inviting the public with more accessible space, the energy of live performance will enrich the life of downtown Toronto,” said Cameron Irwin, principal, LMN Architects. “The project will expand our understanding of the role of art spaces within our society and will provide an opportunity for organisations and activities that don’t fit within the format of traditional performance spaces.”

The design features a high-performance transparent façade that wraps the landmark structure. By aligning the lobby and other public amenities in an L-shaped plan across the Front Street façade, the theatre also connects with Berczy Park. “Public space and performance used to be one in the same – an urban stage for social engagement, informal cultural exchange and creative innovation,” said Rasmus Astrup, partner and design director of landscape architects SLA. “We merge public space, city nature and performance into a new STLC – expanding a ‘building’ project into a new beating urban heart, both inside and outside, for the arts, for quality of life, for nature and for the city.”

The Hive provides creative spaces with studios, rehearsal rooms and informal performance areas. Image: Hariri Pontarini Architects; LMN Architects; Tawaw Architecture Collective; Smoke Architecture; SLA

Envisioned for the second and third floors are creative spaces packed with studios, rehearsal rooms and informal performance areas.

The wood-lined interiors are designed to radiate warmth, reflecting the idea of openness and accessibility. The second performance space, a 300-seat acoustic hall, is stacked above these maker spaces with a backdrop of the city skyline and access to a green terrace.

Both the 600-1,000-seat main theatre and acoustic hall support maximum configuration flexibility with transformable components of retractable seating and partitions. These spaces are intended to allow for innovative interpretations of how performance can happen and push the boundaries of theatrical expression.

Share. Twitter LinkedIn Facebook Email
Previous ArticlePPDS Studios open across Europe and North America
Next Article FEATURE: Showtech returns
Lauren Dyson

Lauren is a freelance technical journalist. Over the past 15 years, she has worked on a wide variety of B2B publications and websites, including a stint on Auditoria’s sister title Traffic Technology International, as deputy editor from 2014-2016. She has a degree in English from the University of Exeter. Lauren is mum to two busy little girls. She is always in demand!

Related Posts

Nighttime concert at outdoor amphitheatre with curved translucent roof. Large audience gathered before illuminated stage with city skyline visible behind performers.
Design

Outdoor venue part of new design for Lincoln Center’s west side

21st May 20256 Mins Read
Design

Tom Patterson Theatre wins architecture award

31st March 20252 Mins Read
Team photo on green field
Design

William Rawn Associates to design Music Center for Sarasota Orchestra

26th November 20244 Mins Read
FREE MONTHLY NEWS EMAIL!

Get the 'best of the month' from auditoria-magazine.com direct to your inbox every month


Latest Posts
Musical theatre scene showing performers in white ABBA-inspired costumes surrounding a woman in pink dress sitting on a bed with heart pattern duvet.

Muriel’s Wedding the Musical brought to life with INFiLED displays

21st May 2025
large open-roof arena in urban landscape with trees

Live Nation to operate Colombian arena with Grupo Páramo

21st May 2025
Nighttime concert at outdoor amphitheatre with curved translucent roof. Large audience gathered before illuminated stage with city skyline visible behind performers.

Outdoor venue part of new design for Lincoln Center’s west side

21st May 2025
Supplier Spotlights
Getting in Touch
  • Free Email Newsletters
  • Meet the Editors
  • Contact Us
  • Media Pack
Related Topics
  • Stadia
© 2023 Mark Allen Group Ltd | All Rights Reserved
  • Cookie Policy
  • Privacy Policy
  • Terms & Conditions

Type above and press Enter to search. Press Esc to cancel.