Lawo system chosen for American Airlines Center


American Airlines Center (AAC) in Dallas, Texas, has invested in a Lawo IP system for its front-of-house (FOH) and monitor mixes. The arena, which opened in 2001, is home to the NHL’s Dallas Stars and NBA’s Dallas Mavericks. In addition, the AAC hosts several concert tours each year and many private events.

The centre recently invested in a Lawo mc²56 MkIII mixing console with redundant A__UHD Cores providing 512 DSPs for the FOH and monitor mixes. A Power Core for Dante conversion, Lawo A__madi6 and A__mic8 stageboxes, and a V__pro8 video processor for MADI embedding and LiveView video thumbnail generation are also included.

“We are fortunate in that ownership has always been willing to have conversations about investing in the right tools to do the best job we possibly can,” said Scott Davidson, facility engineer at American Airlines Center. “Because the Mavericks and Stars are both so keen to deliver top-notch productions, we have seen the primary house audio console change several times since the arena’s inauguration.”

Davidson shared about the recent upgrade: “After researching new consoles, countless hands-on demos, and talking to touring engineers mixing the shows, we agreed that we needed to look elsewhere. On a whim, we decided to reach out to Lawo to see if they had something that might work.”

The American Airlines Center wanted a console able to handle various styles and types of signals, and the ability to support new technology formats as they become relevant. The console needed to provide enough physical knobs and buttons to get the job done, plus intuitive software navigation allowing operators to quickly adapt the desk to their specific workflow requirements.

Image: American Airlines Center

Tony Staires at Lawo North America arranged for a demo console at the AAC. It was decided that the mixing system’s capacity and flexibility allowed engineers to configure the system without compromise. Instant metering of all various mixes allows operators to visually verify that everything is working and signals are flowing as expected, by looking at just one screen. Waves integration was deemed vital, and the Lawo mc256 console could make that happen without shoe-horning additional screens around the desk.

“Having a large number of AUX mixes means we can route signals in a variety of ways and mix sources in a more discrete fashion than before,” said Jeff McGinnis, A1 engineer at American Airlines Center. “Not being limited by a fixed console setup is a major benefit of the Lawo system. Having video thumbnails next to the faders is a boon when checking things in advance. We furthermore appreciate the features that are unique to the Lawo, including the various GPI/O options and remote VNC access to other machines so we can grab control of things directly from the console.”

“I like the fact that the console is so customisable with respect to its layout and screen views,” McGinnis continued. “Our mc256 desk has dual faders in the left bay and offers 48 faders, plus two large touchscreens, in a surprisingly compact footprint. So, ergonomically, I don’t have to reach too far to do what I need to do. Plus, there is a real knob for most functions. Finally, the Lawo design is sleek enough for your eyes to scan the console and get a reliable ‘live’ impression of what is happening.”

“Once you start to wrap your mind around this console and realise the power at your fingertips, your mind instinctively begins thinking of things that no other console can do,” said McGinnis. “You realise that you can implement different workflows and options that would not be possible elsewhere.”

“A couple of other features that helped sway our decision,” Davidson explained, “was that Lawo is not just an audio company but also has a very robust IP-based video routing solution that runs on the same backbone infrastructure as our audio console. Plus, Lawo’s solution has growth capabilities/possibilities built in. If we ever need to add a second console for a broadcast-type mix, or for a portable console to use around the building, we can do this with our Lawo system and share resources in a highly flexible way.”

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Izzy became editor of Auditoria magazine in 2018, having previously served as assistant editor on the title earlier in her career. She is also the editor of Business Jet Interiors International, Railway Interiors International and new launch Cruise Liner Interiors International. Over the course of a decade as a business-to-business magazine editor, Izzy has covered everything from airline catering to car safety technologies, autonomous vehicles and business aviation airports. Outside of work, Izzy loves watercolour painting, live music and travel.

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